Could this possibly be how the woodcarver Master Paul of Levoča looked like? It is supposed that he had created the face of this apostle of the Lord´s Supper in the predella of the St. James Altar as his own portrait.  The woodcarvers´ hat of the period this apostle is wearing should draw our attention to this fact. Thus maybe his face is not as shrouded in mystery as some basic facts of his life. His works of art sing the song of his genius and they are a tangible proof which remained of his life.

Basic facts of his life are unknown. We have no idea where and when he was born and when he died. We just know his first name – Paul. To this name a title Master is added, as it was customary to address the creators of work of art in the middle ages this way, to distinguish them from regular craftsmen. Studying his creations experts suppose that he could possibly have acquired his artistic education in Germany, northern Italy or Tyrol.

Exactly during the time, when our genius Master Paul of Levoča had been creating of wood his gorgeous carved works of art in late gothic style, another world famous genius artist, Michelangelo Buonarroti in Italy had been creating his gorgeous frescos and marble statues or bronze statue in high renaissance style. Because exactly in the times of Master Paul activity, the meeting of two main middle age artistic styles – gothic and renaissance took place here.

Master Paul resisted “foreign” features penetrating into his art – i.e. renaissance influence.  He is the representative of late gothic style.  He was a pupil of great Polish sculptor  from Nuremberg  Veit Stoss, whom I have already dedicated an article on this website – see VEIT STOSS ALTAR IN KRAKOW.  However,  renaissance features eventually started to creep into his work against his will anyway.


Master Paul of Levoča is mentioned for the first time in 1506, in connection with his joining the Brotherhood of Corpus Christi in Levoča. It is supposed that he had already been living in Levoča at that time and that he had a woodcarving workshop there.

He created wooden statues of St. John the Almsgiver and of St. Leonard for the St. Nicholas altar, dated 1507,  in the Basilica of St. James  in Levoča.

St. Nicholas statue in the middle of the shrine dates back to the 2nd half of the 14th century. St. John the Almsgiver to the left and the statue of St. Leonard to the right were created by Master Paul of Levoča

He created the high altar for the Basilica of St. James in Levoča during the years 1508-1517. This unique St. James the Apostle altar is his only work which is signed.

To the Left – Altar of St. Peter and Paul – was created around 1495-1500 in a woodcarving workshop existing in Levoča before Master Paul. To the right – Altar of St. Johns, which is one of our most beautiful Renaissance altars, created in 1520
High altar of St. James the Apostle by Master Paul of Levoča in  the Basilica of St. James in Levoča – created appr. 1508-1517 –  in this photo with open wings


This altar  is at the same time his chef d´oeuvres –  his masterpiece. This altar also holds a world record – reaching the height of 18.62 m it stands above all work of art of this kind in the world. Thus it is the tallest gothic wooden altar of the world.

It is followed by 14 m tall Leinberger Altar in Kastulusmuenster in Moosburg in Deutschland, 3rd being 13.70 m tall altar in Blaubeuren Abbey in Germany near Ulm, 4th is 13.50 m tall in Kefermarkt near Linz in Austria, 5th tallest with its 13.00 m is Veit Stoss altar in Krakow, which we already know very well.

Ranking 8th with its height of 11.00 m is Vir Dolorum altar – from this very St. James Church in Levoča. For those interested to learn more about this 8th tallest altar in the world, please look at my article BASILICA OF ST. JAMES IN LEVOČA.

Master Paul himself designed the altar and it is a proof that he was a good expert at geometrical harmony in gothic architecture.  He managed to  place his balanced altar into the church presbytery so, that it blends within its architecture into one organic whole.

He himself created the main statues. His workshop craftsmen were skillful, too,  and created beautiful ornaments and pinnacles.  Artists  who painted the panel paintings of the altar were also very highly professional. Paintings are copied after Lucas Cranach and Hans Schäufelein, the elder. These are not seen in photos here, as they are visible when the altar wings are closed.

Here we can see the altar wings open and adorned with reliefs: Left top: Sending the Apostles out into the world = Farewell of the Apostles, Left bottom:  Beheading of St. James in Jerusalem, Right top: St. John the Apostle´s vision during writing the Apocalypse on the island of Patmos, Right bottom: St. John the Apostle´s martyrdom by boiling in oil for refusing to worship pagan gods.

Above this a superstructure is hovering, containing statues of apostles placed here from an older altar dating back to appr. 1370. These statues were sculpted by an unknown wood carver. During recent restoration works it was discovered that the heads of statues are not in one piece together with the rest of the body. It is supposed that the separated heads were cooked in water to prevent their cracking. Such treatment is mentioned Leonardo da Vinci´s manuscripts, too.   This is why I can mention this great man of world art history – renaissance genius here, too.

The Lord´s Supper – how it can be admired it in the predella of the high altar
The Lord´s Supper – how we can admire its copy in the House of Master Paul Museum in Levoča. Please note a part of the head of the apostle depicted with woodcarver cap which can be seen next to the head of the second figure to the left – as we know this should portray Master Paul himself

The Lord´s Supper scene represents exactly the moment when Jesus is uttering the tragic words: “I tell you that one of you will betray me – one who is eating with me.”  We can see that only two apostles – Peter sitting close to Jesus and Judas whom the words concern,  are paying attention. St. John the Apostle is taking a nap between Jesus and Peter.  Other apostles enjoy their meals, drinks and each other company. This work is an example of renaissance style in Master Paul´s work. From technical point of work it is notable that  groups of two or three apostles were carved of one piece of wood. It is also interesting that the apostles are depicted sitting with their backs turned to the viewer, too.

Angel by Master Paul of Levoča – replica in Master Paul of Levoča Museum in Levoča. The original statue by Master Paul of Levoča is standing above the baby Jesus in his crib as a part of  the baroque Altar of the Nativity in the Basilica of St. James in Levoča.  The altar was commissioned in 1752 by Miklós Csáky – archbishop of Esztergom with the purpose to house 7 statues by Master Paul of Levoča