KATSUTSHIKA HOKUSAI

KATSUTSHIKA  HOKUSAI  (1760-1849) undoubtedly belongs among the most acclaimed Japanese artists. Possibly he may be even the most famous Japanese artist ever.  He is the most celebrated  Japanese author of woodblock prints. He will always be remembered as the author of famous series Thirty-six Views of Mount Fuji – the idea of repeating the same topic from different point of view and different light comes from Hokusai.  Following the opening of Japan to the West his prints were admired in Europe and had a big influence on the European painters, including Monet, Degas, Van Gogh, Gaugin, Manet, Whistler and Bonnard.

He was born in the Sumida district in Edo and he lived here most of his life, however not at the same place.  He is supposed to have moved as many as 93 times during his lifetime, interesting, isn´t it?  But in was not always his choice, at one time he barely saved his own life and his brushes as his house flared-up. The house burned down but his brushes were saved and he could continue painting. This is what he said himself – he saved his brushes to be able to paint.  🙂   It is also interesting that he used more than 30 names during his carreer.

His old quarter never forgot its great artist – there is a street named after him here, too  – Hokusai Dori = Hokusai Street.  And you come accross Katsushika Hokusai´s works almost at every step as posters with reproductions of them can be seen. I even came accross a big billboard.  He is mentioned in street maps, too.  And then you see the suggestive lead colour hyper modern building, new, just several month young – and it houses Katsushika Hokusai´s museum = Sumida Hokusai Museum.

Not all originals of his works are exhibited and I found it a bit disappointing because I was looking forward to enjoying seeing them all  🙂  naïve little me. It did not occur to me that not all of the collection would be exhibited.  Works of art of other artists are being exhibited here, too.  And I chose a bad day for a visit as it was Sunday and the museum was really crowded. Some pictures are very small and people were queuing to be able to get close to them. Well, I did too, learning patience from the patient Japanese people.

The Sumida Hokusai museum is proud of three collections:   1/ Peter Morse Collection containing appr. 600 items. Peter Morse (1935-1993) was the world´s leading collector and researcher of works by Hokusai.    2/ Narazaki Collection.  Dr. Muneshige Narazaki (1904-2001) was Japan´s leading ukiyo-e researcher.   3/ Collection by Sumida City containing works mainly by Hokusai and his followers.  Themes of the exhibitions in the museum will be changing and making use of different items of these collections.

 

 

Portrait of Katsushika Hokusai.  It is interesting that he painted on the floor – kneeling on the floor and bent forward.  Life size wax figure diorama in the museum depicts this and from time to time Katsushika even moves and this causes excitement in the onlookers  🙂  It´s a pity, that no photos are allowed 
There are nice street map boards in the Sumida district  🙂 
Katsushika Hokusai – Under the Wave off Kanagawa = how it is called in the Sumida Hokusai Museum, known also as The Great Wave off Kanagawa, created during 1820s, from the series Thirty-six Views of Mount Fuji. I took this picture in the street – it is was a big billboard on a house. Then I admired the iconic woodblock print; ink and color on paper, appr. 26×38 cm in the Sumida Hokusai Museum, where photos are not allowed
The Sumida Hokusai Museum – opened in November 2016. Kazuyo Sejima, born in 1956 in Japan is the architect of this original building.  Her design concept was to integrate the art museum with a park. I find this building serene and exuding harmony  
The slits partitioning the building on the ground floor are connected by corridors and the entrance to the museum can be approached by each of them.  Museum building is in conformity with Kazuyo Sejima´s designs – it is slick,  with clean lines, making use of metal and glass.  Marble is used inside.  Geometric patterns catch my eyes

Katsushika Hokusai – Fine Wind, Clear Morning, from Thirty-six Views of Mount Fuji – detail.  I was lucky enough to see the iconic woodblock print in the museum, however I have taken this photo from a brochure 
Tokyo Sky Tree which is also located in Sumida district can be seen in the background 
Notice that there are no windows or openings on the upper floors what means that not much sunlight gets inside. I personally think that it is good so and it might be done on purpose as the works of art exhibited there would be damaged by sunshine and light